2005 - 2010
1,162 digital photographs and sound. Three light boxes and stacked prints on acetate.
An investigation into the credibility, authenticity, and credence people lend to a specific place based on the intersection of time, space, and presence. For this project I took photographs of the Philadelphia Museum of Art facade over the course of five years from the same vantage point everyday that I worked there and recorded the sound of visitors and workers moving through the building each day.
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